Difference between revisions of "Brunk, Henry 1978-03-21"
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− | + | Henry Brunk reminisces about his career as manager of a traveling road show in the Southwest during the 1920s to the 1950s. Included are discussions about performers, show logistics and physical set-up, audiences, towns, and numerous anecdotes. | |
==General Interview Information== | ==General Interview Information== | ||
− | '''Interviewee Name:''' | + | '''Interviewee Name:''' Henry Brunk |
'''Additional Parties Recorded:''' | '''Additional Parties Recorded:''' | ||
− | '''Date:''' | + | '''Date:''' March 21, 1978 |
− | '''Location:''' | + | '''Location:''' |
− | '''Interviewer:''' | + | '''Interviewer:''' Jerry Martin |
− | '''Length:''' | + | '''Length:''' 4 hours, 50 minutes |
Line 19: | Line 19: | ||
'''Tape 1, Side 1:''' | '''Tape 1, Side 1:''' | ||
+ | Henry L. Brunk Show, | ||
+ | Advertising in Billboard, | ||
+ | Public relations, | ||
+ | Regional tastes, | ||
+ | Script writers, | ||
+ | Bob Fagen, | ||
+ | Harrison, | ||
+ | Hiring entertainers, | ||
+ | Managers grapevine, | ||
+ | Town relations, | ||
+ | Effect on ticket sales, | ||
+ | Competition with other shows, | ||
+ | Actors dress and behavior, | ||
+ | Trunks, | ||
+ | Hotels, | ||
+ | Wardrobe, | ||
+ | Hats, | ||
+ | Costumes, | ||
+ | Play selection procedure | ||
+ | <br> | ||
+ | |||
+ | '''Tape 1, Side 2:''' | ||
+ | Henry L. Brunk Show (continued), | ||
+ | Financial problems, | ||
+ | 1940s, | ||
+ | World War II effects on, | ||
+ | Rationing, | ||
+ | Closures, | ||
+ | Post-war, | ||
+ | Prosperity, | ||
+ | Actor availability, | ||
+ | Repeat customers, | ||
+ | Winfield, Kansas, | ||
+ | Actors' expectations, | ||
+ | Treatment, | ||
+ | Salary, | ||
+ | Accommodations, | ||
+ | Oil stoves, | ||
+ | Comparison of actors from North or East and locals, | ||
+ | Advance men role in quality of life, | ||
+ | Private homes, | ||
+ | Tents, | ||
+ | Shape and construction, | ||
+ | Vernon, Texas, anecdote | ||
+ | <br> | ||
+ | |||
+ | '''Tape 2, Side 1:''' | ||
+ | Tent (continued), | ||
+ | Keeping water off, | ||
+ | Capacity, | ||
+ | Seating, | ||
+ | Reserve seats, | ||
+ | Spur, Texas, anecdote, | ||
+ | Ticket sales, | ||
+ | Heating/heaters, | ||
+ | Transporting and loading, | ||
+ | 'Old Bill' - stove operator, | ||
+ | Conversion from wood to gas, | ||
+ | Cooling | ||
+ | <br> | ||
+ | |||
+ | '''Tape 2, Side 2:''' | ||
+ | Henry L. Brunk Show (continued), | ||
+ | Tents (continued), | ||
+ | Cooling (continued), | ||
+ | Preventing wind damage, | ||
+ | Tent blown down, | ||
+ | Tent repairmen, | ||
+ | Effect of WWII, | ||
+ | 'Crying Bill' anecdotes | ||
+ | <br> | ||
+ | |||
+ | '''Tape 3, Side 1:''' | ||
+ | Henry L. Brunk Show (continued), | ||
+ | Tents (continued), | ||
+ | Tent repairmen (continued), | ||
+ | 'Crying Bill' (continued), | ||
+ | Props, | ||
+ | Borrowing furniture, | ||
+ | Advertising, | ||
+ | Banners/displays, | ||
+ | Tents (again), | ||
+ | 'Bastard' tents, | ||
+ | Push pole tents, | ||
+ | Beil ring tents, | ||
+ | Site location, | ||
+ | Actor Gil Lamb, | ||
+ | Competition, | ||
+ | 'Pumpkin ball' (softball), | ||
+ | Night lighting effect of | ||
+ | <br> | ||
+ | |||
+ | '''Tape 3, Side 2:''' | ||
+ | Henry L. Brunk Show (continued), | ||
+ | Competition (continued), | ||
+ | Fairs, | ||
+ | Advertising, | ||
+ | Railroads effects of, | ||
+ | Acts, | ||
+ | Vaudeville, | ||
+ | Balancing, | ||
+ | Trapeze, | ||
+ | Actors' pay, | ||
+ | Musical acts, | ||
+ | Changes after World War II, | ||
+ | Music, importance of, | ||
+ | Moving show, | ||
+ | Advance work, | ||
+ | Train schedules | ||
+ | <br> | ||
+ | |||
+ | '''Tape 4, Side 1:''' | ||
+ | Henry L. Brunk show (continued), | ||
+ | Moving show (continued), | ||
+ | Staff work, | ||
+ | Anecdote about Senator, | ||
+ | Anecdote about black man, | ||
+ | Borger, Texas, show incidents, | ||
+ | American mission anecdotes, | ||
+ | Tent fires, | ||
+ | Sydney, Nebraska, | ||
+ | Harley Sadler, | ||
+ | Fred Brunk show, | ||
+ | Preventing, | ||
+ | Parafining canvas, | ||
+ | Litigation prone populace, | ||
+ | Henry Brunk burned | ||
+ | <br> | ||
+ | '''Tape 4, Side 2:''' | ||
+ | Henry L. Brunk show (continued), | ||
+ | Moving show (again), | ||
+ | Truck accidents, | ||
+ | Train wrecks, | ||
+ | Setting-up, | ||
+ | Snow/muddy lots, | ||
+ | Mildew problems on tents, | ||
+ | Opposition by theater owners, | ||
+ | Tearing down ads, | ||
+ | Setting-up show on Sundays, | ||
+ | Mixture of laughs and tears in acts, | ||
+ | "Afterdraft", | ||
+ | Force comedies, | ||
+ | "Gorilla House" show, | ||
+ | Importance of "afterdraft", | ||
+ | Mystery shows, | ||
+ | "Cat and canary, | ||
+ | "Wooden kimonos" | ||
<br> | <br> | ||
− | '''Tape | + | '''Tape 5, Side 1:''' |
+ | Henry L. Brunk show (continued), | ||
+ | Mixture of acts (continued), | ||
+ | Musicals, | ||
+ | Cast make-up, | ||
+ | Actors who moved up to Hollywood, | ||
+ | Burt Lancaster, | ||
+ | Jimmy Stewart, | ||
+ | Show objectives, | ||
+ | Quality entertainment, | ||
+ | Importance of keeping it clean, | ||
+ | Effect of big shows on small towns, | ||
+ | Theater management, | ||
+ | Keeping it clean (again), | ||
+ | Concerts, | ||
+ | Arrangement of shows, | ||
+ | "Main" and "after" shows | ||
+ | <br> | ||
+ | '''Tape 5, Side 2:''' | ||
+ | Henry L. Brunk show (continued), | ||
+ | W. I. Swain, | ||
+ | Control ticket sales, | ||
+ | Moving show (again), | ||
+ | Tent tear down, | ||
+ | First train out, | ||
+ | Anecdote about missing train, | ||
+ | Names for parts of stage, | ||
+ | Employees and relations with opposite sex, | ||
+ | Reputations important | ||
<br> | <br> | ||
− | '''Range Dates:''' | + | '''Range Dates:''' 1920-1955 |
− | '''Bulk Dates:''' | + | '''Bulk Dates:''' 1930s-1940s |
Line 44: | Line 219: | ||
{{UsageStatement}} | {{UsageStatement}} | ||
− | [[Category: Needs Review ]] | + | [[Category: Needs Review ]] [[Category: 1970s]] [[Category: Tent Shows]] [[Category: SWC Interviews]] [[Category: Brunk's Comedians]] |
Latest revision as of 14:32, 18 July 2019
Henry Brunk reminisces about his career as manager of a traveling road show in the Southwest during the 1920s to the 1950s. Included are discussions about performers, show logistics and physical set-up, audiences, towns, and numerous anecdotes.
General Interview Information
Interviewee Name: Henry Brunk
Additional Parties Recorded:
Date: March 21, 1978
Location:
Interviewer: Jerry Martin
Length: 4 hours, 50 minutes
Abstract
Tape 1, Side 1:
Henry L. Brunk Show,
Advertising in Billboard,
Public relations,
Regional tastes,
Script writers,
Bob Fagen,
Harrison,
Hiring entertainers,
Managers grapevine,
Town relations,
Effect on ticket sales,
Competition with other shows,
Actors dress and behavior,
Trunks,
Hotels,
Wardrobe,
Hats,
Costumes,
Play selection procedure
Tape 1, Side 2:
Henry L. Brunk Show (continued),
Financial problems,
1940s,
World War II effects on,
Rationing,
Closures,
Post-war,
Prosperity,
Actor availability,
Repeat customers,
Winfield, Kansas,
Actors' expectations,
Treatment,
Salary,
Accommodations,
Oil stoves,
Comparison of actors from North or East and locals,
Advance men role in quality of life,
Private homes,
Tents,
Shape and construction,
Vernon, Texas, anecdote
Tape 2, Side 1:
Tent (continued),
Keeping water off,
Capacity,
Seating,
Reserve seats,
Spur, Texas, anecdote,
Ticket sales,
Heating/heaters,
Transporting and loading,
'Old Bill' - stove operator,
Conversion from wood to gas,
Cooling
Tape 2, Side 2:
Henry L. Brunk Show (continued),
Tents (continued),
Cooling (continued),
Preventing wind damage,
Tent blown down,
Tent repairmen,
Effect of WWII,
'Crying Bill' anecdotes
Tape 3, Side 1:
Henry L. Brunk Show (continued),
Tents (continued),
Tent repairmen (continued),
'Crying Bill' (continued),
Props,
Borrowing furniture,
Advertising,
Banners/displays,
Tents (again),
'Bastard' tents,
Push pole tents,
Beil ring tents,
Site location,
Actor Gil Lamb,
Competition,
'Pumpkin ball' (softball),
Night lighting effect of
Tape 3, Side 2:
Henry L. Brunk Show (continued),
Competition (continued),
Fairs,
Advertising,
Railroads effects of,
Acts,
Vaudeville,
Balancing,
Trapeze,
Actors' pay,
Musical acts,
Changes after World War II,
Music, importance of,
Moving show,
Advance work,
Train schedules
Tape 4, Side 1:
Henry L. Brunk show (continued),
Moving show (continued),
Staff work,
Anecdote about Senator,
Anecdote about black man,
Borger, Texas, show incidents,
American mission anecdotes,
Tent fires,
Sydney, Nebraska,
Harley Sadler,
Fred Brunk show,
Preventing,
Parafining canvas,
Litigation prone populace,
Henry Brunk burned
Tape 4, Side 2:
Henry L. Brunk show (continued),
Moving show (again),
Truck accidents,
Train wrecks,
Setting-up,
Snow/muddy lots,
Mildew problems on tents,
Opposition by theater owners,
Tearing down ads,
Setting-up show on Sundays,
Mixture of laughs and tears in acts,
"Afterdraft",
Force comedies,
"Gorilla House" show,
Importance of "afterdraft",
Mystery shows,
"Cat and canary,
"Wooden kimonos"
Tape 5, Side 1:
Henry L. Brunk show (continued),
Mixture of acts (continued),
Musicals,
Cast make-up,
Actors who moved up to Hollywood,
Burt Lancaster,
Jimmy Stewart,
Show objectives,
Quality entertainment,
Importance of keeping it clean,
Effect of big shows on small towns,
Theater management,
Keeping it clean (again),
Concerts,
Arrangement of shows,
"Main" and "after" shows
Tape 5, Side 2:
Henry L. Brunk show (continued),
W. I. Swain,
Control ticket sales,
Moving show (again),
Tent tear down,
First train out,
Anecdote about missing train,
Names for parts of stage,
Employees and relations with opposite sex,
Reputations important
Range Dates: 1920-1955
Bulk Dates: 1930s-1940s
Access Information
Original Recording Format:
Recording Format Notes:
Transcript:
Thank you for your interest in this oral history interview. Our oral history collection is available to patrons in the Southwest Collection's Reading Room, located on the campus of Texas Tech University. For reading room hours, visit our website. Please contact Reference Staff at least one week prior to your visit to ensure the oral history you are interested in will be available. Due to copyright issues, duplications of our oral histories can only be made for family members. If an oral history transcript has been made available online, the link will be provided on this page. More information on accessing our oral histories is located here. Preferred citation style can be found here.