Difference between revisions of "Bean, Pauline 1989-03-14"
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− | + | Pauline Bean discusses the history and evolution of the Lubbock Arts Festival as well as local support of the arts in general. | |
==General Interview Information== | ==General Interview Information== | ||
− | '''Interviewee Name:''' | + | '''Interviewee Name:''' Pauline Bean |
'''Additional Parties Recorded:''' | '''Additional Parties Recorded:''' | ||
− | '''Date:''' | + | '''Date:''' March 14, 1989 |
− | '''Location:''' | + | '''Location:''' Lubbock, Texas |
− | '''Interviewer:''' | + | '''Interviewer:''' Richard Mason |
− | '''Length:''' | + | '''Length:''' 1 hour |
Line 19: | Line 19: | ||
'''Tape 1, Side 1:''' | '''Tape 1, Side 1:''' | ||
− | + | Origin of Lubbock Arts Festival, | |
+ | Committee goals, | ||
+ | Cultural Affairs Council, | ||
+ | John Logan, | ||
+ | Winifred Vigness, | ||
+ | Membership and Vision, | ||
+ | Leadership, | ||
+ | Ann Williams, | ||
+ | Bill Armstrong, | ||
+ | Winifred Vigness (again), | ||
+ | Travel on behalf of council, | ||
+ | John Logan (again), | ||
+ | Oklahoma City Arts Festival, | ||
+ | Early leadership of Arts council, | ||
+ | Roy Bass, first year, | ||
+ | Oklahoma City model, | ||
+ | Adapting to Lubbock area, | ||
+ | Alan Henry & Bernice Spears, second year, | ||
+ | Byrnie Bass and Pauline Bean, third year, | ||
+ | First Arts Festival, | ||
+ | Preparation, | ||
+ | Success over time, | ||
+ | Basic elements, | ||
+ | Showcase of arts, | ||
+ | Unity of cultural groups, | ||
+ | Showcase of arts (again), | ||
+ | Diversity of display, | ||
+ | Children's area, | ||
+ | Senior Citizens area, | ||
+ | Gallery, | ||
+ | education, | ||
+ | Exhibit area, | ||
+ | Juried art, | ||
+ | Diversity (again), | ||
+ | Jury process, | ||
+ | Artist's market, | ||
+ | Screening process, | ||
+ | Diversity (again), | ||
+ | Demonstration, | ||
+ | Recent additions, | ||
+ | Culinary booths, | ||
+ | Civic Center Board, | ||
+ | Entertainment, | ||
+ | Basic elements (again), | ||
+ | Free admission, | ||
+ | Growth of Festival, | ||
+ | Support of Chamber of Commerce, | ||
+ | Administrative evolution of Festival, | ||
+ | Cultural Affairs Council (again), | ||
+ | Arts Council, | ||
+ | Potential split from, | ||
+ | Cultural Affairs Council (again), | ||
+ | Russell Hughes, | ||
+ | Festival theme, | ||
+ | Cultural Affairs Council (again), | ||
+ | Goals (again), | ||
+ | Festival logo, | ||
+ | Contest, | ||
+ | Gray Lewis, | ||
+ | Artist, | ||
+ | Growth of Lubbock, 1970s, | ||
+ | Tornado, | ||
+ | First woman on City Council, | ||
+ | Cultural change, | ||
+ | Vision, | ||
+ | Community energy, | ||
+ | Art Galleries, | ||
+ | Lubbock Symphony, | ||
+ | Financial support, | ||
+ | Local art collections | ||
<br> | <br> | ||
'''Tape 1, Side 2:''' | '''Tape 1, Side 2:''' | ||
− | + | Local art collections (continued), | |
+ | Popular styles, | ||
+ | Western, | ||
+ | Abstract/Modern, | ||
+ | Discussion of displays, | ||
+ | Western (again), | ||
+ | Local sensitivity, | ||
+ | John Lott home, | ||
+ | Dr. Robert Arnold, | ||
+ | Dr. Bob Moeller, | ||
+ | Availability of fine art, | ||
+ | Art situation in Lubbock, 1989, | ||
+ | Stagnation/reversion, | ||
+ | Museum, | ||
+ | Stealing bricks from 19th Street, | ||
+ | Gary Edson, | ||
+ | Lack of state funding, | ||
+ | Lack of staff, | ||
+ | Terry Morrow, Texas Tech Art Department, | ||
+ | Exhibits, | ||
+ | Festival Gallery, | ||
+ | Attempts to recover standard, | ||
+ | Lubbock Art Association, | ||
+ | Clickish, | ||
+ | Intellectual discrimination, | ||
+ | Lynwood Kreneck, Texas Tech University, | ||
+ | Recognition, | ||
+ | Local galleries, | ||
+ | Baker Gallery, | ||
+ | Johnny Meigs, | ||
+ | Recent slip in quality, | ||
+ | Bent Tree Gallery, | ||
+ | Lack of collectors, | ||
+ | Financial inability, | ||
+ | Popularity of decorator arts, | ||
+ | Family collectors, | ||
+ | Byron Edwards collection, | ||
+ | Daughter's collection, | ||
+ | Local artists, | ||
+ | Tony Arnett, | ||
+ | Berneice Fix, | ||
+ | Characteristics of fine artists, | ||
+ | Obsession/drive, | ||
+ | Early artists, | ||
+ | Bess Vickers, | ||
+ | Tony Arnett (again), | ||
+ | Lynwood Kreneck, | ||
+ | Museum, | ||
+ | Art collection, | ||
+ | Acquisition committee, | ||
+ | Funding, | ||
+ | Gifts, | ||
+ | Taos founders, | ||
+ | Other Richard Mason interviews, | ||
+ | Potential for reviving the arts in Lubbock, | ||
+ | Texas Tech University, | ||
+ | Contribution to community, | ||
+ | Symphony, | ||
+ | Improvement over time, | ||
+ | Importance of Vision, | ||
+ | Need for attracting diversity of interest, | ||
+ | Need for cultural center and central ticket office, | ||
+ | Goals for the 1980s | ||
<br> | <br> | ||
− | '''Range Dates:''' | + | '''Range Dates:''' 1970s-1989 |
− | '''Bulk Dates:''' | + | '''Bulk Dates:''' 1970s-1989 |
Line 44: | Line 175: | ||
{{UsageStatement}} | {{UsageStatement}} | ||
− | [[Category: Needs Review ]] | + | [[Category: Needs Review ]] [[Category: SWC Interviews]] [[Category: 1980s]] [[Category: Lubbock Tornado]] |
Latest revision as of 21:44, 22 March 2017
Pauline Bean discusses the history and evolution of the Lubbock Arts Festival as well as local support of the arts in general.
General Interview Information
Interviewee Name: Pauline Bean
Additional Parties Recorded:
Date: March 14, 1989
Location: Lubbock, Texas
Interviewer: Richard Mason
Length: 1 hour
Abstract
Tape 1, Side 1:
Origin of Lubbock Arts Festival,
Committee goals,
Cultural Affairs Council,
John Logan,
Winifred Vigness,
Membership and Vision,
Leadership,
Ann Williams,
Bill Armstrong,
Winifred Vigness (again),
Travel on behalf of council,
John Logan (again),
Oklahoma City Arts Festival,
Early leadership of Arts council,
Roy Bass, first year,
Oklahoma City model,
Adapting to Lubbock area,
Alan Henry & Bernice Spears, second year,
Byrnie Bass and Pauline Bean, third year,
First Arts Festival,
Preparation,
Success over time,
Basic elements,
Showcase of arts,
Unity of cultural groups,
Showcase of arts (again),
Diversity of display,
Children's area,
Senior Citizens area,
Gallery,
education,
Exhibit area,
Juried art,
Diversity (again),
Jury process,
Artist's market,
Screening process,
Diversity (again),
Demonstration,
Recent additions,
Culinary booths,
Civic Center Board,
Entertainment,
Basic elements (again),
Free admission,
Growth of Festival,
Support of Chamber of Commerce,
Administrative evolution of Festival,
Cultural Affairs Council (again),
Arts Council,
Potential split from,
Cultural Affairs Council (again),
Russell Hughes,
Festival theme,
Cultural Affairs Council (again),
Goals (again),
Festival logo,
Contest,
Gray Lewis,
Artist,
Growth of Lubbock, 1970s,
Tornado,
First woman on City Council,
Cultural change,
Vision,
Community energy,
Art Galleries,
Lubbock Symphony,
Financial support,
Local art collections
Tape 1, Side 2:
Local art collections (continued),
Popular styles,
Western,
Abstract/Modern,
Discussion of displays,
Western (again),
Local sensitivity,
John Lott home,
Dr. Robert Arnold,
Dr. Bob Moeller,
Availability of fine art,
Art situation in Lubbock, 1989,
Stagnation/reversion,
Museum,
Stealing bricks from 19th Street,
Gary Edson,
Lack of state funding,
Lack of staff,
Terry Morrow, Texas Tech Art Department,
Exhibits,
Festival Gallery,
Attempts to recover standard,
Lubbock Art Association,
Clickish,
Intellectual discrimination,
Lynwood Kreneck, Texas Tech University,
Recognition,
Local galleries,
Baker Gallery,
Johnny Meigs,
Recent slip in quality,
Bent Tree Gallery,
Lack of collectors,
Financial inability,
Popularity of decorator arts,
Family collectors,
Byron Edwards collection,
Daughter's collection,
Local artists,
Tony Arnett,
Berneice Fix,
Characteristics of fine artists,
Obsession/drive,
Early artists,
Bess Vickers,
Tony Arnett (again),
Lynwood Kreneck,
Museum,
Art collection,
Acquisition committee,
Funding,
Gifts,
Taos founders,
Other Richard Mason interviews,
Potential for reviving the arts in Lubbock,
Texas Tech University,
Contribution to community,
Symphony,
Improvement over time,
Importance of Vision,
Need for attracting diversity of interest,
Need for cultural center and central ticket office,
Goals for the 1980s
Range Dates: 1970s-1989
Bulk Dates: 1970s-1989
Access Information
Original Recording Format:
Recording Format Notes:
Transcript:
Thank you for your interest in this oral history interview. Our oral history collection is available to patrons in the Southwest Collection's Reading Room, located on the campus of Texas Tech University. For reading room hours, visit our website. Please contact Reference Staff at least one week prior to your visit to ensure the oral history you are interested in will be available. Due to copyright issues, duplications of our oral histories can only be made for family members. If an oral history transcript has been made available online, the link will be provided on this page. More information on accessing our oral histories is located here. Preferred citation style can be found here.